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Jan 21

2012

ON DECEMBER 21 2012 THE MESOAMERICAN LONG COUNT CALENDAR, NOTABLY USED BY THE MAYAN CIVILIZATION, WILL COMPLETE ITS 13THB’AK’TUN CYCLE SINCE THE CALENDAR’S MYTHICAL STARTING POINT SOMEWHERE AROUND 3114 BC. AND EVEN THOUGH THE SIGNIFICANCE OF THIS PERIOD-ENDING TO THE PRE-COLOMBIAN THEMSELVES IS UNCLEAR, MANY BELIEVE THE DATE IS A TURNING POINT OF SORTS. AFTER ALL, THE DATE WAS CARVED IN THE WALLS OF THE TEMPLE OF INSCRIPTIONS IN PALENQUE, WHERE IT FUNCTIONS AS A BASE DATE, FROM WHICH MANY OTHER DATES ARE CALCULATED.

http://movies.apple.com/movies/sony/2012/2012-tlr1_h.480.mov

Many esoteric sources interpret the completion of the thirteenth b’ak’tun cycle in the Long Count of the Maya calendar to mean there will be a major change in world order. Those with New Age believes, 2012 is also the year of spiritual transformation and apocalypse. There is disagreement among believers whether 2012 will see an end of civilization, or humanity will be elevated to a higher level. We like to believe one could happen parallel to the other. This last theory is a of course a guaranteed ingredient for a blockbuster disaster movie, which, if everything should happen as we are supposed to believe it will, will be the disaster movie to end all disaster movies.

2012.It will be a year like many others. The European Football Championship will be played in Poland and Ukraine, while at the same time the world is eagerly turning their eyes towards London, where only one month later the 2012 Summer Olympic Games, officially known as Games of the XXX Olympiad, ill kick off. Queen Elizabeth II will celebrate her Diamond Jubilee and several countries will have presidential elections. The annular solar eclipse will run a path of totality through the Pacific Ocean from Northern China to California and we will be able to witness the second and last solar transit of Venus of the century. 2012 is also the year in which 433 Eros, the second largest near Earth asteroid will pass Earth at the distance of only 26,778,019km.

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Beautiful_2012.5In 2009 an increased amount of solar storms are the first sign that something is about to change in the near future (which is a good thing since the lack of solar storms at this very moment is a major concern for real time NASA). From here on, many mysterious events will take place, leading us slowly but surely towards the year of disaster: 2012. When people live their lives, unaware of the major disaster that is going to hit them, the leaders of the world are secretly planning their escape: they, along with the select wealthy elite from across the globe, will board specially built ships that can weather nature’s wrath. Everyone else will be left to perish and the people from the ships will be left to rebuild civilization and repopulate the planet, as if it was a modern day version of the Old Testament’s Arc of Noah.

Beautiful_2012.6Beautiful_2012.8Regardless of the predictable story and happy end – which by itself is surprising taking into account the vast majority of earth’s population is about to be wiped out – the film 2012 promises to entertain us with spectacular special effects. Whether the film is an answer or valid addition to the discussion about what really might be happening in 2012 remains to be seen. But does it really matter? Because by the time we might be able to make a comparison, there might be nothing left to compare to.

2012, directed by Roland Emmerich and starring John Cusack, Chiwetel Ejiofor, Oliver Platt, Danny Glover and Woody Harrelson among others, will premier on July 10, 2009. –B-

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written by Pinewood Design \\ tags: , ,

Jan 21

google_favicon_466x240

What’s the most recognised logo in the world? It would probably be Google’s if only they could stick to one. Yet as the world’s most popular search engine tries out a new favicon, Craig Smith says the old branding rulebook is being rewritten.

 

It’s not the size that matters, it’s how often you use it. So the thinking goes at Google, which has just revealed the design of its latest favicon – the tiny logo that shows any web user, on any web browser, anywhere in the world, precisely whose internet “real estate” they are currently residing upon.

An example of a favicon can be seen at the top of this page (so long as you are using an up-to-date enough web browser). Just in front of the URL http://news.bbc.co.uk/… there is a small BBC logo. That 16×16 pixel square is the size of the favicon in question, if not the scope.

Now consider that, at the website owner’s discretion, the logo appears on every single one of its pages that the world’s web population loads. For Google that amounts to upward of 1, 200 million individual searches. Every day.

Add to that its Google News, Google Images, mobile search and multitude of other online services. Suddenly the favicon takes on an importance that belies its fingernail-sized dimensions, and the motivation for Google to roll out its third design in less than a year, as it attempts to get its favicon right, becomes clear.

Google’s journey to this latest multi-coloured graphic identity charts a course through some of the unique challenges of favicon design, and through those of logo design in general. The world’s leading search engine, whose very name has been adopted as the generic term for finding pages on the web, has achieved web domination without ever having had an actual logo.

Magic Eye style

Think of Google visually and you will probably picture the letters that make up the word Google, picked out in bright primary colours. In the designer’s lexicon, rather than being a logo, Google has a logotype – albeit a very successful one around which it is famed for creating ever-changing topical “doodle” themes.

What Google has so far lacked is the sort of universally recognised icon that identifies a Mercedes-Benz car at distance or, in technology terms, the Apple computer or Yahoo web page – all logos that these brands use as their own favicon, not least because they fit the diminutive dimensions. The word Google, by contrast, would not reduce and still be legible.

Cue the new Google favicon – a rainbow of differently shaped blocks. A bit like one of those “hidden” Magic Eye pictures popular in the 1990s, not everyone will immediately see that the Google favicon blocks interlock to form a “g” shape.

That hardly matters. The design makes best use of favicon limitations and is a marked evolution of Google’s previous iterations – a small blue “g” on a white background since June of last year, and a capital “G” before that.

While the old branding rulebook would discourage such regular, radical overhauls, reeking as it does of indecisiveness and inconsistency, in the digital world such rules are temporary, at best.

Steve Plimsoll, of brand consultancy FutureBrand, says the traditional rules on corporate identity are starting to look a little tired.

Mighty morphin logos

“Logos are set to become fluid, ever-changing, customisable, even personalised entities and Google is the first global brand that understands this,” says Mr Plimsoll, who is head of digital.

“We are going to have to get used to the idea of our brands changing frequently, and when we do, every three months will seem like the dark ages.”

If you don’t like the new look, then, you can wait or, more proactively, send the company your own design. When Google unveiled the small ‘g’ last year, the company’s head of search products & user experience, Marissa Mayer, hinted at a transitory solution, saying “by no means is the one you’re seeing our favicon final; it was a first step to a more unified set of icons” and inviting users to contribute ideas.

The new favicon is based on a design sent in by André Resende, a computer science undergraduate student at the University of Campinas in Brazil.

It may sound indecisive, even amateurish, but the fast-changing nature of Google’s digital world dictates it. While the billions of pages of Google’s branded “real estate” is the headline figure, its real focus is to keep pace with users’ mobile phones, computer task bars and web bookmarks in such a way as to keep directing them effortlessly back to Google – using the favicon as their guide.

For the world’s biggest search engine, the world’s smallest signpost is one of its most valuable assets.

Craig Smith is a marketing author and editorial director at publishing agency Velo

From BBC

written by Pinewood Design \\ tags: , , , , , , ,

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