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Mar 27

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D&G 2008

D&G 2008
Download desktop wallpaper 1028 x 728

D&G 2008
Download desktop wallpaper 1028 x 728

D&G 2008
Download desktop wallpaper 1028 x 728

D&G 2008
Download desktop wallpaper 1028 x 728

D&G 2008
Download desktop wallpaper 1028 x 728

D&G 2008
Download desktop wallpaper 1028 x 728

D&G 2008
Download desktop wallpaper 1028 x 728

D&G 2008
Download desktop wallpaper 1028 x 728

D&G 2008
Download desktop wallpaper 1028 x 728
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written by Pinewood Design \\ tags: , , ,

Mar 24

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The image and look of the Beijing Olympic torch relay was released at the Beijing Olympic Media Center.

The Torch Relay Graphic of the Beijing 2008 Olympic Games

The Torch Relay Graphic

 

Torch Design

 


         A general view of the torch          3D animation

The Beijing Olympic Torch boasts strong Chinese characteristics, and showcases Chinese design and technical capabilities. It embodies the concepts of a Green Olympics, a High-tech Olympics and the People’s Olympics.

The Key Facts about the Torch

The torch is 72 centimetres high, weighs 985 grams and is made of aluminium. The torch is of a curved surface form, with etching and anodizing being used during its production. A torch can usually keep burning for approximately 15 minutes in conditions where the flame is 25 to 30 centimetres high in a windless environment. The torch has been produced to withstand winds of up to 65 kilometres per hour and to stay alight in rain up to 50mm an hour. The flame can be identified and photographed in sunshine and areas of extreme brightness. The fuel is propane which is in accordance with environmental guidelines. The material of its form is recyclable.

The Artistic and Technical Features of the Torch

The torch of the Beijing Olympic Games has a very strong Chinese flavour. It demonstrates the artistic and technical level of China. It also conveys the message of a Green Olympics, a High-tech Olympics and the People’s Olympics. The shape of the paper scroll and the lucky clouds graphic, expresses the idea of harmony. Its stable burning technique and adaptability to the environment have reached a new technical level. The torch of the Beijing Olympic Games is designed, researched and produced in China. BOCOG owns all intellectual property rights.

The Fuel for the Torch

Under the concept of a Green Olympics, environmental protection was a key element listed in the invitation documents to the design companies, by BOCOG. The fuel of the torch is propane, which is a common fuel which also comes with a low price. It is composed of carbon and hydrogen. No material, except carbon dioxide and water remain after the burning, eliminating any risk of pollution.

The Burning System

Its stable burning technique and adaptability to the environment have reached a new technical level. It can stay alight in severe weather conditions such as strong wind, rain, snow, hail, etc. The flame can also be identified in sunshine and areas of extreme brightness so as to satisfy the requirements of capturing photographic images and video footage.

The obverse side
The obverse side
The middle part
The middle part
The upper part
The upper part
The lower part
The lower part

The Design Timelines

2005 August            BOCOG developed the design concepts and requirements of the torch.

2005 December       BOCOG recruited potential torch designs from the design society. In total, BOCOG received 388 pieces of works.

2006 June-August    BOCOG selected the structural designer and the burning system designer.

2007 January          Beijing Olympic Torch was approved by IOC

 

Lantern Design

The lantern

The Torch Relay lantern will be used to store the Olympic flame. Its main purposes will be to receive the Olympic flame kindled in Olympia, to light the Olympic torch and to exhibit the sacred flame.

The International Olympic Committee (IOC) requires the flame remain lit during the entire course of the Torch Relay in order to protect the sanctity of the Olympic flame and the purity of the Torch Relay. If the torch flame should be extinguished, it must be relit using the mother flame stored in the lantern. This is to ensure that the flame used to light the Olympic cauldron at the Opening Ceremony comes from the sacred Olympic flame kindled in Olympia.

The inspiration for the original design of the Beijing Olympic Torch Relay lantern comes from the traditional lanterns used inside ancient Chinese palaces. The silver luster of the lantern coupled with crystal-clear glass serve as a foil to the flame and communicates the Olympic flame’s sanctity and purity.

 

Cauldron Design

The Cauldron

The Olympic cauldron plays a major role in the Olympic Torch Relay. The lighting of the Olympic cauldron symbolizes the end of the Olympic Torch Relay and the beginning of the Olympic celebration.The Beijing Olympic cauldron is based on the concept of a “round heaven and square earth” and takes after a typical cauldron from the Chinese Bronze Age. The cauldron shares with the torch and lantern the design element of the “lucky cloud.”

The 56 “lucky clouds” hollowed out of the curved plate of the Olympic cauldron symbolize well wishes to the world from the 56 ethnic groups in China. The base of the cauldron has four legs with eight faces, symbolizing that the Beijing Olympic Games welcomes friends from all directions across the world. The Olympic cauldron stands 130 centimeters high, symbolizing the 130-day duration of the Beijing Olympic Torch Relay. The cauldron plate is 29 centimeters deep, symbolizing the 29th Olympiad. The cauldron post is 112 centimeters tall, symbolizing the 112 years that have passed between the staging of the first modern Olympic Games in 1896 and the 2008 Olympic Games.

Torch Stand Design

The Torch Stand

The torch stand is used to display and support the torch, and its design borrows from the architectural styles of the Han and Tang dynasties. The base design of the torch stand shows “lucky clouds” drifting away, as if gently calling out to the torch.

 

Uniform Design

Design of the torchbearer uniform for the Torch Relay
uniforms for the Torch Relay

Design of the escort runner uniform for the Torch Relay
escort runner uniform

Design of the escort staff uniform for the Torch Relay
escort staff uniform

 

The Convoy

Convoy

 

Aircraft

The Aircraft

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written by Pinewood Design \\ tags: , , , , , ,

Aug 12

Walking into Topman isn’t a pretty sight.  If the faux nu-rave window display complete with propped up neon tubes highlighting the poorly styled mannequins, clad in neon-super-tight-cutting-off-circulation-to-the-downstairs-area skinny jeans and various logo-ed t-shirts that are supposed to shout out in a ‘tongue-in-cheek’ (don’t you find that people throw this phrase around way too often….suddenly everything is a bit cheeky….well, it’s not…) manner that ‘Yeah, Rave is Great!’ but actually singles the wearer out as an absolute idiot. 

Then the store itself.  Unfortunately, whereas going to Topshop for a girl is fantastico in terms of the array of wares on sale and nifty features like a nail bar, hairdressers, cafe for one to shop in (bar Saturdays…Topshop will always be hellish on a Saturday….), going to Topman can be a bit of a chore.  For a start, there’s only one floor so that same array of wares isn’t really going to be on offer for guys and narrowmindedly, they don’t cater to all tastes either. 

Another thing is that Topshop partakes in regular collaborations with designers all the time to bring about interesting diffusion lines.  Preen, Marios Schwab, Christopher Kane, Emma Cook are just some of the names they have worked with (and fund in their New Generation programme).  Topman have only just started to dip their toes by funding the MAN fashion show, showcasing fresh menswear designers at London Fashion Week and now they have gone and done something that I think will bring them up to speed with their sister store.

As part of a series of ongoing projects that invites a selection of designers to interpret their vision of a certain garment, the first of these projects is ‘The White Shirt’.  I think most people reach a certain age when they think ‘Actually, back to basics doesn’t mean I’m a boring old fart’ and certainly with a white shirt I’m interested in how designers can push the limit with it.  Like the revamp that the white shirt got from the CDFA winner designers at Gap, guys don’t miss out here with Topman”s take on the white shirt. 

Ute Ploier has done a biker style shirt with ribbed cuffs and hem with shoulder detailing:

 

Deryck Walker has added elasticated embellishment to the sleeves and the back:

Personally I feel it’s quite overpriced, particularly with some of the shirts. The strongest, in my opinion, is the Ute Ploier biker jacket and the Deryck Walker elasticated version, with its ‘distinct sportswear feel’ (below left). They feel like the most useful and least gimmicky; you could imagine wearing the Ute one in a million different ways:

Carola Euler has incorporated a detachable collar as well as a thin tie so that you can wear it in various ways:

Siv Stoldal’s geometric print mixes up the texture by adding sheen to the squares:

Richard Nicoll who has love affairs with the white shirt for his womenswear collection went all out on this Western-styled shirt, with square buttons, a bib front and also a star stitched on the back.  I did think the star was a bit over-kill but when everything is in stark white cotton, all is forgiven.

The Topman Design team have also had a go at the white shirt by applying a trompe d’oeil effect of a creased, worn shirt:

I’d be interested to see how these series of projects develop and with what other designers they will work with, on what other garments.  For this reason alone, I hope The White Shirt is a sell-out hit.  I may even contribute by buying the Ute Ploier for myself.  Go, on, make Topman a better place – they hit the stores and online on August 24th and the shirts are £50 a pop.

Still, it’s well-presented and another interesting project (could you imagine Burton, Reiss or Gap doing something as artistic or relevant as this?) and I haven’t seen them in the flesh yet, so I could be pleasantly surprised. But part of me just thinks you’d get more wear out of a decent quality, well-fitted white shirt, and that undermines what I think the whole project’s about.

written by Pinewood Design \\ tags: , , , , , ,

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