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Aug 02

invisible streetlight

Invisible Streetlight emits light at nighttime by saving energy from sunlight during the day. The most innovative element of Invisible Streetlight is that it does not require a support because the flexible body in the shape of tree branch is directly installed to the trees lining a street. Installation is simple in parks and outskirts of urban centers. Also, Invisible Streetlight does not spoil scenic beauty of the surrounding areas.

finalist invisible streetlight

More information here.

written by Pinewood Design \\ tags: , ,

Mar 24

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The image and look of the Beijing Olympic torch relay was released at the Beijing Olympic Media Center.

The Torch Relay Graphic of the Beijing 2008 Olympic Games

The Torch Relay Graphic

 

Torch Design

 


         A general view of the torch          3D animation

The Beijing Olympic Torch boasts strong Chinese characteristics, and showcases Chinese design and technical capabilities. It embodies the concepts of a Green Olympics, a High-tech Olympics and the People’s Olympics.

The Key Facts about the Torch

The torch is 72 centimetres high, weighs 985 grams and is made of aluminium. The torch is of a curved surface form, with etching and anodizing being used during its production. A torch can usually keep burning for approximately 15 minutes in conditions where the flame is 25 to 30 centimetres high in a windless environment. The torch has been produced to withstand winds of up to 65 kilometres per hour and to stay alight in rain up to 50mm an hour. The flame can be identified and photographed in sunshine and areas of extreme brightness. The fuel is propane which is in accordance with environmental guidelines. The material of its form is recyclable.

The Artistic and Technical Features of the Torch

The torch of the Beijing Olympic Games has a very strong Chinese flavour. It demonstrates the artistic and technical level of China. It also conveys the message of a Green Olympics, a High-tech Olympics and the People’s Olympics. The shape of the paper scroll and the lucky clouds graphic, expresses the idea of harmony. Its stable burning technique and adaptability to the environment have reached a new technical level. The torch of the Beijing Olympic Games is designed, researched and produced in China. BOCOG owns all intellectual property rights.

The Fuel for the Torch

Under the concept of a Green Olympics, environmental protection was a key element listed in the invitation documents to the design companies, by BOCOG. The fuel of the torch is propane, which is a common fuel which also comes with a low price. It is composed of carbon and hydrogen. No material, except carbon dioxide and water remain after the burning, eliminating any risk of pollution.

The Burning System

Its stable burning technique and adaptability to the environment have reached a new technical level. It can stay alight in severe weather conditions such as strong wind, rain, snow, hail, etc. The flame can also be identified in sunshine and areas of extreme brightness so as to satisfy the requirements of capturing photographic images and video footage.

The obverse side
The obverse side
The middle part
The middle part
The upper part
The upper part
The lower part
The lower part

The Design Timelines

2005 August            BOCOG developed the design concepts and requirements of the torch.

2005 December       BOCOG recruited potential torch designs from the design society. In total, BOCOG received 388 pieces of works.

2006 June-August    BOCOG selected the structural designer and the burning system designer.

2007 January          Beijing Olympic Torch was approved by IOC

 

Lantern Design

The lantern

The Torch Relay lantern will be used to store the Olympic flame. Its main purposes will be to receive the Olympic flame kindled in Olympia, to light the Olympic torch and to exhibit the sacred flame.

The International Olympic Committee (IOC) requires the flame remain lit during the entire course of the Torch Relay in order to protect the sanctity of the Olympic flame and the purity of the Torch Relay. If the torch flame should be extinguished, it must be relit using the mother flame stored in the lantern. This is to ensure that the flame used to light the Olympic cauldron at the Opening Ceremony comes from the sacred Olympic flame kindled in Olympia.

The inspiration for the original design of the Beijing Olympic Torch Relay lantern comes from the traditional lanterns used inside ancient Chinese palaces. The silver luster of the lantern coupled with crystal-clear glass serve as a foil to the flame and communicates the Olympic flame’s sanctity and purity.

 

Cauldron Design

The Cauldron

The Olympic cauldron plays a major role in the Olympic Torch Relay. The lighting of the Olympic cauldron symbolizes the end of the Olympic Torch Relay and the beginning of the Olympic celebration.The Beijing Olympic cauldron is based on the concept of a “round heaven and square earth” and takes after a typical cauldron from the Chinese Bronze Age. The cauldron shares with the torch and lantern the design element of the “lucky cloud.”

The 56 “lucky clouds” hollowed out of the curved plate of the Olympic cauldron symbolize well wishes to the world from the 56 ethnic groups in China. The base of the cauldron has four legs with eight faces, symbolizing that the Beijing Olympic Games welcomes friends from all directions across the world. The Olympic cauldron stands 130 centimeters high, symbolizing the 130-day duration of the Beijing Olympic Torch Relay. The cauldron plate is 29 centimeters deep, symbolizing the 29th Olympiad. The cauldron post is 112 centimeters tall, symbolizing the 112 years that have passed between the staging of the first modern Olympic Games in 1896 and the 2008 Olympic Games.

Torch Stand Design

The Torch Stand

The torch stand is used to display and support the torch, and its design borrows from the architectural styles of the Han and Tang dynasties. The base design of the torch stand shows “lucky clouds” drifting away, as if gently calling out to the torch.

 

Uniform Design

Design of the torchbearer uniform for the Torch Relay
uniforms for the Torch Relay

Design of the escort runner uniform for the Torch Relay
escort runner uniform

Design of the escort staff uniform for the Torch Relay
escort staff uniform

 

The Convoy

Convoy

 

Aircraft

The Aircraft

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written by Pinewood Design \\ tags: , , , , , ,

Mar 02

 1. Organic 3D

Here’s something new for 2008: we will be seeing 3d effects in logo design that will reach different places and stimulate different viewers who are craving for a new, fresh look! Polish those lenses and see 3D escalate to a higher level!

Let’s take an example. You’re seeing the Silverlight logo for the first time. Your eyes are trying to absorb every feature and then-you suddenly react. What’s your first reaction? A breathless “WOW”? Do you find yourself saying “aha”? Does the Silverlight logo design trigger a feeling in you, arousing a desire to actually want to see the product that’s behind that logo? That reaction was what the creators of this corporate logo were aiming for.

The logo designer starts with a very basic shape that is applied to a simple transparency effect. This can lead to a more complicated process, but one thing you must remember is that the end result should look as organic as possible. Take your distortion tool for a good spin!

We welcome this type of logo design because it stands out and it tells us that it’s not “run of the mill.” You see, the 3d bubbles and transparency effects - which were overused - were getting really boring. There is just one downside: ”eye catching ” logos were appearing on the scene and becoming more sophisticated but they are not necessarily the easiest to print.

In fact, the capability to print the logo exactly as it looks on screen is a frequent request that stands at the basis of corporate logo creation. Is it possible that the constant technological development that now allows us to accurately reproduce a design on different surfaces will generate changes in the classic laws of logo design?

Technology organizations that produce and market groundbreaking products and services use this type of company logo design. By using the “organic 3d” effect, logo creators avoid that cold image look which is so typical of other companies’ logos in the technology field. This type of logo is not only eye catching, but is also friendly. And here’s a bonus: the lighting effect is fantastic!

2.  Waves - The New Swooshes

That’s it - no more swooshes! After years of being number one, swooshes have now been replaced by the so-called waves. Do you see these waves in the above logos? Top graphic designers use them to inject more flexibility and flow into the design. To highlight the idea of movement, logo designers execute a fade technique from one color to another for this type of logo design. It does not matter if a single wave is used or is incorporated into the design; the round shapes give it flexibility so that the viewer gets a sense of movement and of communication. “Waves” are a good strategy to suggest the feelings of movement, transfer, quickness and connection. They are not easy to use, but if you master the technique, you can produce and optimize the effect. “Waves” are now IN - they have replaced swooshes, swirls and other curves you find in logo designs everywhere. Could waves be the new swooshes? Will they dominate the scene in a few years? Long time ago we thought swooshes were trendy. Then they rose in popularity so much they become a big NO NO. And today, waves are hugging the limelight. Will this be the new trend? We shall see!

3.  “Web 2.0″ Logos

Designers often hear the term “web 2.0″ from their customers who ask for this specific type of logo. The term Web 2.0 actually refers to certain technologies (Ajax, Ruby, etc). The thing is, can we really say that there’s a new trend in graphic design, the web 2.0 design?

It seems to be the case these days. A web2.0 logo is now synonymous to a modern and trendy logo, and this is why we find an impressive number of tutorials on the Net that allow designers to transform existing logos into web 2.0 logos. What characteristics do web 2.0 logos have? They have bright colors, color levels, cute, icons, 3D effects, shiny surfaces, shadows and reflexions. The fonts are simple and most of them rounded. In some cases the color levels, shines and 3D effects are also applied to the lettering.

These effects must be used very carefully, because we have seen countless cases where the logo designer uses these elements to make a logo look good but neglects to give the concept the necessary attention it deserves.

Some of these logos are beautiful. They catch your eye instantly and give you the feeling of sophistication and technology. But is the web 2.0 logo design trend strictly related to the current popularity of web 2.0 technology? Will this trend fade when something else replaces web 2.0 technology?

Interestingly enough, we are sure that this type of logo can also be called the “apple type logo”. We are all familiar with the Apple logo; in fact we were astonished when in 1998, Apple gave up the “rainbow logo” and launched the “glass Apple logo “. This logo has turned out to be one of the most famous brands in the world, and it “stirred up the crowd” without any doubt when it was first launched. The fresh, innovative 3D technical image was one influential factor, but its bright and warm qualities contributed to the evolution of logo design and the way a brand should be perceived.

Today we are flooded with 2.0 web logos that unfortunately have become too common. We’ll have to wait and see whether they are here to stay or are just a passing trend. What do you think?

4.  Transparency in logo design

We’ll say this right away: transparency has always been fashionable. Designers often use transparency, thanks to the notion of elegance that it communicates. Transparency allows the combination of different design elements offering the viewer a special image. With the help of transparency you can create perspectives, suggest the ideas of growth, development, combination and connection.

Some famous designers are of the opinion that only inexperienced logo designers use transparency and color levels. We disagree. Transparency enables you to create some unique effects that definitely catch the attention of the viewer. Transparency makes the design brighter, and the subtle transition from one element of the design to another provides the illusion of a bright spot. Take a close look at the DarienLibrary logo. What better suggestion would you make regarding the existence of additional elements without the help of transparency?

5.  “Underground” Typography - Minimal Fonts

Examine the logos above. Have you seen similar ones before? These are logos that we have often found on the sites of Typographic Artists over the last few years. Who would have thought, however, that they would become mainstream by the year 2007?

These logos are based on minimal fonts that are achieved by using as few elements as possible such as basic shapes (e.g. a circle arch for the Wends logo). This technique is based on simple shapes, exact proportions, and a boundless love for minimalist design. This type of logo design will suit some people and companies perfectly but it continues to create confusion among conservatives.

Here’s a question: can this type of design lead to the development of a good logo? Most people would be inclined to say no, especially if the classic principles of logo design - Legibility and Readability - need to be considered. It’s true that logos based on the so- called Minimal Fonts do not provide immediate conveyance of the message. However, most agree that they do manage to catch the viewer’s attention, provoking a sentiment or desire to “figure out” what the message is.

Those who are looking at such logos will immediately want to find out the name of the company and to grasp the meaning of these logos. Furthermore, there is the element of shock when viewers see something new and very different from what is usually seen on the web.

You could even say that this type of logo often proves to be more efficient than a logo that merely conforms to classic rules. This statement is relevant to a discussion on the emerging new rule: the more a design is different to what is happening in the industry at a given moment, the better and more efficient a logo is. Logo designs based on minimal fonts require a long-term experience in graphic design and typography; they are also not yet suited for all kinds of customers. We see an increasing number of them being used on album covers of good electronic music, on web sites that target the indie audience, or on web sites of “cult” graphic design studios.

It is our opinion that this is so far the coolest trend for 2008. We hope to see more logos that are created using this particular trend.

6.  New Rainbow / Color Scale

We’ve seen a thousand rainbows in our lifetime. Yet, each time we see one, we can’t help but stare admiringly at the sky even for just a few seconds. We feel that sentiment of wanting to “chase rainbows” as the lyrics of a song go.

Classic rainbow-colored semicircles have been widely used in the last decade but alas, have quickly become pass�. However, the fascination with the full color scale continues. Lately, we have been seeing a lot of “rainbow colors” that are being manipulated in a variety of ways. Most designers will use transparency in order to highlight the visual effects and to enable the fusion of colors, thus obtaining an impressive shift from one color to another. Techniques like vivid colors, shifting from shades of red to blue facilitated by an entire spectrum of color, and especially the usage of a dark background to highlight each color lead to outstanding logos that will always be attractive to the human eye.

These logos convey the concepts of sophistication, technology and freshness. With a nearly infinite number of possibilities for combining colors, the visual effect is invariably special. What is really spectacular is that although the classical rainbow representation has come to an end, the message still remains the same: there are no boundaries - nothing is impossible. This trend proves that using classic elements will generate novelty and will also bring about up-to-date and striking directions.

7.  Sci-Fi Fonts

In logo design the font frequently serves to strengthen the message as conveyed by the image. But what about the typographic logos? In this particular case, choosing the right font is crucial. Many of these logos can be memorable. With the development of the number of personal computers per capita, we are now witnessing the rise of a new category of logos , using what the industry refers to as Sci-Fi fonts.

Whether they are the creation of famous designers such as RayLarabie and Wim Crouwel or are projects produced in the typography classes of some diligent students, we have seen an ever-increasing number of these fonts over the last few years.

In the beginning of 2000 and later, we remember graphic design teachers recommending infrequent usage of these fonts. Their reason was that it was just a passing trend. What happened was the opposite. It seems they’re digging their feet in.

The frequent use of sci-fi fonts, with straight edges and simple shapes has imposed itself as a new trend in logo design. We’ve seen various designers “play” with these fonts in their logos: they either change the font shape or create a new one in programs such as FontLab.

Let’s take a look at the example of Compaq. Compaq chose this type of font for its company logo redesign project in 2007. It clearly conveys the company’s new slogan: “See why Compaq gets people talking”. See how that slogan is conveyed in the shape of the Q? See the Talk Box? That’s an example of a logo that clearly conveys the core message by means of wording only. After all, less is more, isn’t it?

8.  Leaves Logos

No matter which logo design collection you browse through, you will notice that they have all been “invaded” by leaves over the last few years. Leaves here and there, leaves everywhere! You sit and wonder why. Could this be the result of a common concern for the environment and the harmful effects of pollution? Is it because green is trendy? Or are humans aching for nature because they sit all day in their office cubicles facing their computer screens making them crave for the natural outdoors?

Leaves have become synonymous with creativity, originality, and innovative thinking. We also find leaves in company logos even if the companies are not engaged in the business of nature or the environment. But the key notion here is that the use of leaves somehow “tames” the message conveyed.

Lots of web 2.0 sites feature leaves making spring-green the preferred web 2.0 color. We’re not talking about the classic image of the leaves themselves but about their stylization, especially under the form of rectangles with rounded edges - this is a modern representation in accordance with modern design trends.

These logos are usually simple and leave the viewer with a pleasant image. Another benefit is that these company logos are very catchy. The thing we have to be wary of is the overwhelming invasion of leaves - they are now overused. Tutorials have already appeared, showing how to create a leaf logo. Will this trend last or will it lead to the need for raking the leaves and sending them off to the dump site? What do you think?

9.  The “Ugly” 80’s

Take a look at the logo designs above. What’s your first reaction? They bowl you over and leave you speechless - and somewhat confused don’t they?

These logos don’t have beautiful shapes, shadows, mirrored reflections, warm colors, or icons that signify something; they look like the result of some kid playing around mindlessly. So why would anyone wish to have such a logo?

The explanation is simple: this type of logo design is very different and will definitely stand out by sheer reason of being totally different. But if we look back to the 80’s which was a period of strange geometric shapes and neon colors - these types of logos came about and earned the reputation of spearheading the invasion of “cute logos”.

The emergence of this trend can also be attributed to a mighty comeback of the 80’s in fashion ,interior and industrial design. Some consider these logos to be modern and futuristic; others think of them as plain ugly. But let’s not be too harsh in our criticism because the mere fact that they are so talked about is noteworthy enough.

There are numerous articles that picked apart the London 2012 logo. Although many agree that the 80’s have not demonstrated excellence in graphic design and people severely criticized this trend, we should nevertheless consider the advantages that this type of logo has to offer: first, it stands out and gets noticed; second, it’s totally different than anything we’ve seen before; and third, it’s never boring. In fact, we’ll even venture out to say that it’s outrageous, exciting and rude. Each of the colors symbolizes an explosion of energy, action and sound in accordance to our living present. The message is quickly and brutally conveyed and it doesn’t require thinking on the part of the viewer. In other words, an alluring and attractive no-brainer!

We’ll add that this trend has revolutionized logo design and fueled the process of creativity by imposing new rules and redefining what’s beautiful. Of course, there are still risks involved regarding this type of approach, the highest risk being the inability, on the part of the viewer, to understand the message. Companies that cannot afford an expensive publicity budget like the one for Wacom or London 2012 are particularly susceptible to this risk. So designers, pay attention! “It’s pure attitude, designed to intrude and degrade.”
(Tony Spaeth)

 

10.  The New Crest

New Crest logos have been around in the last few years. The year 2008 though will sound out the trumpets - New Crests go Mainstream!! With the clever combination of medieval symbolism and urban culture graphic elements, the New Crest logos appealed to the youth when they first appeared. Eventually, they were also adopted and embraced by the extreme sports and boarding communities everywhere. At the same time they were used by well known graphic designers for big clients like MTV etc.

Maybe it’s the contrast between the old and new - novelty fonts against medieval lions as an example; another example would be the ancient decorations versus modern objects.

Collage is the main process behind these emblems, blending the right elements to strike the right chord. And if you think about it, isn’t this what graphic design is all about anyway?

We tend to like new crests and think it’s a good experiment to try with the right client in 2008 and the years to come. One word of caution: new crest logos are not for beginners. Designers need to get some experience under their belt first before taking a crack at these logos. It takes a trained eye and oodles of creativity and imagination to take new crest logos into new highs!

From Logoorange

written by Pinewood Design \\ tags: , ,

Dec 12

Print Design Single Page: Winner
Soo Jin An
Kookmin University

Part of my life


 

 

 

Profile
Soo Jin was born in Korea and studies Visual Communication at Kookmin University in Seoul. She lives in an urban setting but likes to experience nature. Soo Jin cultivates a roof garden with flowers and trees, and it is a major source of artistic inspiration. She also gains inspiration by talking with and listening to other people. She recently became entranced by vector images but looks forward to experiencing all kinds of graphic design media after her graduation.

Communication objective
Various kinds of expressions exist on an object’s face, just as on human faces. While humans create objects, they do not create their expressions. The face, formed accidentally from an object in everyday life, claims its own existence. As we discover an object’s facial image it evolves into another image through analysis and recomposition. Enjoy the infinite possibilities!

Tools used
All the graphics were generated using Adobe® Illustrator® CS.

More Winners & Finalist Go Here

Source: http://www.adaagallery.com/winners/1853.php

written by Pinewood Design \\ tags: , , , , ,

Dec 12

Environmental Graphics and Packaging: Winner
Po-Yun Jack Wang
California College of the Arts

You think therefore I am


 

 

 

 

Profile
Po-Yun Jack Wang was born and raised in Taiwan until the age of 12. Then his family immigrated to Vancouver, British Columbia. After graduating from high school, he came to the U.S. to pursue his dream, to become a graphic designer. He graduated from California College of the Arts in 2007 and received the Thesis Student Achievement Award. After his graduation, he returned to Taiwan, to start his new adventure in the design industry.

Communication objective
Existence is at once familiar and elusive. We have no problem using the word “exists,” but what is it like to exist, and how do we exist? Before you see me, my existence is not something that I can express to you. I intend to prove that our existence is based on each other. You think, therefore I am. I have created an installation 50″ x 182″, with paper cutouts and nine books to illustrate the entity Jack Wang, which your perception of me creates.

Tools used
I used Adobe® Photoshop® CS2 to create the pixilated image of my face, and then I used Illustrator® to lay out each page with a different color for each figure. The logo in the books was created in Illustrator® CS2 using the Live Trace tool of my hand-drawn work. The books are all created with Adobe InDesign® CS2 using a grid system on the master page.

More Winners & Finalist Go Here

Source: http://www.adaagallery.com/winners/1608.php

written by Pinewood Design \\ tags: , , , , , , ,

Dec 12

Digital Photography: Winner
Sean Teegarden
Art Center College of Design

True Character


 

 

 

 

Profile
Sean Teegarden was born, raised, and home schooled in Downey, California, by two awesome parents. From a young age, Sean had a camera in his hands and on many occasions became frustrated with capturing a finger in the lens, covering his artistic compositions. Graduating high school early, Sean went to Cerritos College where he developed his love of photography in the darkroom. His inspiration for imagery comes from experiences in the Boy Scouting Program, his religious background, and love of 1950’s television. Currently, Sean is attending Art Center College of Design. He will graduate in December and work towards attaining his dream job.

Communication objective
It is said that the masters of old would paint in the flaws on their subjects as a finishing touch, a method of making paintings real. In this series, I made true characteristics of these people blatantly apparent. I wanted viewers to see every little detail that many would call flaws — I see them as True Character.

Tools used
Using the file’s Red, Green, and Blue Channels, I found which color contained the most contrast that enhanced the important details. I copied the information and pasted it into new layers. I used a series of blend modes and layer masks to bring out striking detail and retain great value and color. I employed burn/dodge layers to emphasize shadows and finally employed sharpening and blurring to make every little “Character” jump off the page.

More Winners & Finalist Go Here

Source: http://www.adaagallery.com/winners/441.php

written by Pinewood Design \\ tags: , , , , , ,

Dec 12

Digital Illustration: Winner
Jörg Block
Hamburg University of Applied Sciences

Research Calendar of the Hamburg University of Applied Sciences 2008


 

 

 

 

Profile
Jörg Block worked several years as a graphic designer in e-business companies, handling print and corporate design, and web and screen design. Then he started to study illustration at the Hamburg University of Applied Sciences (Department of Design, Media and Information). At first he fully dedicated himself to artistic basics and to freeform graphic arts and painting. Now he wishes to combine his previous experience from graphic design with a more artistic approach. His special interest is creating illustrations that comment on editorial content in an idiosyncratic and pointed way.
Communication objective
The illustrations were created for the Hamburg University of Applied Sciences research calendar. Each month illustrates a different project to demonstrate the variety of the university’s research activities for the general public. I used striking, funny, or droll images to inspire spontaneous interest in the featured research subjects. I intended the images to stimulate viewer curiosity about the concrete research activities referenced on the back of each calendar page and hope the viewer reads the detailed information there. The illustration subjects include marketing bio food, logistics systems, anesthesia technology, joining technology, bio diesel, and packaging.
Tools used
I started by researching the featured subjects. I created pencil-and-paper sketches and converted the sketches to vector art in Adobe® Illustrator®. I created all the forms using the rectangle and ellipse shapes, the pencil tools, or by combining shapes with the Pathfinder. I defined colors with CMYK values and built a color library. My illustrations feature pure color surfaces, linear and radial gradients, adjustment objects, transparencies, and various fill methods.

More Winners & Finalist Go Here

Source: http://www.adaagallery.com/winners/1342L.php 

written by Pinewood Design \\ tags: , , , , , ,

Dec 06

Of all the rooms in your house, your bedroom is the last space you would visit before you retire to take a good night sleep. It is where your body lies in deep solitude as it relaxes and rejuvenates the lost energy for the day. Hence, it is important to come up with a relaxing mood when conceptualizing bedroom decorating ideas, here are a few pictures with bedroom designs that will help you make an idea of how you want to style your bedroom. For more inspiration visit the bedroom section on our website.

lema_bed_loto.jpglifestylesneworleans_1.jpgproductimage_2211_610_320_x.jpgstemik-living_5.jpg<stemik-living_7.jpgbedroom_07_4_g.jpg

written by Pinewood Design \\ tags: , , ,

Dec 06
  • Press Tab will hide tool bar and palette, Shift+Tab will hide only palette.
  • Hold Shift + click the top blue bar for toolbar and palette will move them to the nearest edge.
  • Double click the top blue bar, on any palette window, to minimize it.
  • Double click the gray background will bring up open file option, Hold Shift+double click will open up the browser.
  • Sick of the default gray background around your image? Select paint bucket, hold shift and click on the gray background, it will change to whatever color you have in your foreground color box.
  • In Photoshop, all “Cancel” buttons in a window can be changed to a “Reset” button by holding Alt.
  • Caps lock will switch your cursor for accuracy.
  • Press F button, it will switch between 3 different screen modes and give you more working area.
  • To draw a straight line, click then move to the end point and hold shift + click.
  • Hold Ctrl will temporary make any tool into move tool until you release Ctrl.
  • Ctrl + Alt and click drag the image, it will make a duplication of the current image over lay on top.
  • Hold Space bar, it will make any tool into “Hand Tool” until you release Space bar.
  • While in Zoom Tool, Ctrl+space = zoom in, alt+space = zoom out.
  • Hold Ctrl and press “+” or “-” it will change the % for image in navigator window.
  • When Using eyedropper tool to capture foreground color, hold Alt and click, it will instantly capture the color for background.
  • With Measure Tool, draw a line then hold Alt and draw another line from the end of the first line, it will measure the angle.
  • Ctrl+Alt+Z and Ctrl+Shift+Z will go back and forth in the history.
  • Alt+Backspace and Ctrl+Backspace will fill in the whole screen with foreground color or background color, Shift+backspace will bring up option window, Alt+Shift+Backspace and Ctrl+Shift+Backspace, will fill the image with foreground or background color but will leave the alpha transparent area alone.
  • When free transforming with Ctrl+T, hold Alt to keep the original image and then to transform a duplicated layer of it. Ctrl+Shift+T to repeat whatever you did in the last transform.
  • To make sure your Crop is on the edge of the image, hold Ctrl while cropping.
  • Ctrl+J will duplicate the current layer.
  • Ctrl+Shift+E will merge all visible layers to one layer, Ctrl+Shift+Alt+E will make a copy of the original and merge all visible layers.
  • While using Marquee Tools, hold Alt it will make the starting point as a center of the selection.
  • Ctrl + D to deselect, Ctrl+Shift+D to reselect what you deselected.
  • While selecting with Marquee tool, pressing the space bar can allow you to move the selection.
  • Hold Alt while clicking on the eye icon beside the layer, it will hide all other layers.
  • Hold Alt while clicking the pen icon beside the layer, it will unchain this layer from all layers.
  • Select a layer, hold Alt and click the top edge of another layer, it will group them.
  • File> Automate > Contact Sheet: this can create a small thumbnail for every file, this can save you some time from searching.
  • After, draw a path on the image with pen tool, Ctrl+shift+H can hide/show it.
  • Ctrl+Tab allows you to switch between different image files you are working on.
  • F12 = Revert to how the file was the last time you saved it.
  • Holding Shift + Alt while transforming an object will do it proportionally, from the center.
  • To center an image, Ctrl + A , Ctrl + X, Ctrl + V, I think it also puts that image on a new layer.
  • Ctrl+E will merge the highlighted layer down to the next
  • When you have a brush selected, using [ or ] will scroll up or down that brush list.
  • Double clicking the zoom tool will make the image 100%, double clicking the hand tool will fit the image to your screen resolution.
  • Ctrl + Alt + T to make a copy of the layer in which you want to transform.
  • Ctrl + Alt + Right arrow. duplicates the layer you are on.
  • Ctrl+[plus key] will let you zoom in on an image anytime while Ctrl+[minus key] zooms out. Ctrl+Alt+[plus key] will zoom in AND RESIZE the window to fit the image size… same for Ctrl+Alt+[minus key] as well.
  • Pressing X will switch the selected foreground and background colors.
  • Pressing D will reset the foreground and backgrounds colors to black and white.
  • Ctrl+Alt+Z will do multiple undo, versus just one.
  • Ctrl+click a layer thumbnail to select the layer transparency
  • To see what your layer mask looks like (and edit it), Alt+click its thumbnail in the layers palette
  • When using Polygon lasso tool hold Shift to make a perfect line, it goes every 30 degrees
  • Stamp Tool (s) is used to copy an area of image (defined by alt+clicking and area) and paint it somewhere else (cloning). It also works when you have multiple images open at the same time. Alt click an area of any opened file image and paint it anywhere else.
  • And remember, pressing enter when you type will take you to a new line just like typing a letter but pressing Ctrl+Enter or Enter on numeric key will finish what you type.
  • Pressing Tab key will hide the Tools pa